This started as a review of Hounds of Love, and has mutated into a meditation on genre. It’s a bit rambling, and once again I wish I could afford to pay someone to edit this stuff, but I hope those of you interested in horror and the fringes of the genre find something of interest in it. Continue reading
Screened as part of the Cinema Rediscovered festival in Bristol, Sidney J. Furie’s 1982 supernatural horror film The Entity is ripe for reappraisal (and it is now available on Blu Ray in the UK). This rare big screen outing for a film that has languished in relative obscurity since its original release was presented by The Final Girls (@thefinalgirlsuk) Anna Bogutskaya and Olivia Howe. They first apologised for what they were about to put the audience through, but looked forward to hearing post film reactions. Frankly, I was a little too stunned by the movie to offer any in the immediate aftermath. Hopefully the following review makes up for that.
Be warned, spoilers do follow… Continue reading
With the release of an updated version of the excellent biography Into the Unknown – the fantastic life of Nigel Kneale (Andy Murray, Headpress) this seems like a good time to burrow deep into my archives and exhume an article I wrote for the now defunct digital magazine Cult TV Times. Enjoy… Continue reading
Claustrophobic horror thriller It Comes At Night is the latest film to land in an ongoing culture war (actually more of a skirmish between factions) for the soul of the genre, between films considered mainstream and art-house. I feel I have to write something about this about once a year. The last time being when Bret Easton Ellis went on a diatribe against ‘art horror’ coinciding with the UK release of Austrian horror movie Goodnight Mommy, you can read that here.
Such think pieces and debates are frustrating to me, as the often obscure the qualities of the film at hand. So is to worth spending your hard earned case on seeing It Comes At Night at the movies, or should you just wait for VOD or streaming?
Find out after the jump… Continue reading
Coming to UK screens off the back of huge box office success in the US, low budget horror film Get Out is destined to be one of the most talked about films of the year. Review follows… Continue reading
Released by Studio Canal, Korean zombie film Train to Busan rocks up on UK screens from the 28th of October. A box office blockbuster in its home country, is this a zombie epic worth boarding? Review follows… Continue reading
I’ve only seen 1999’s The Blair Witch Project once, on release in a multiplex in Plymouth with an audience who clearly thought it was rubbish. Normally I’d find this distracting, but despite the evident disdain of my fellow audience members I found the film to be one of the most unpleasant viewing experiences I’d had since seeing Watership Down. I had the last minute of the film in my head for weeks and I wanted it out of there.
In other words, it was a great horror film. Can the new sequel live up to it?
I guess I’ve given that away in the title of this review haven’t I? Still read on please lovely audience. Continue reading