directors, horror, Movies, new releases, Reviews

Post-It [Comes At Night] Notes

Claustrophobic horror thriller It Comes At Night is the latest film to land in an ongoing culture war (actually more of a skirmish between factions) for the soul of the genre, between films considered mainstream and art-house. I feel I have to write something about this about once a year. The last time being when Bret Easton Ellis went on a diatribe against ‘art horror’ coinciding with the UK release of Austrian horror movie Goodnight Mommy, you can read that here.

Such think pieces and debates are frustrating to me, as the often obscure the qualities of the film at hand. So is to worth spending your hard earned case on seeing It Comes At Night at the movies, or should you just wait for VOD or streaming?

Find out after the jump… Continue reading

Standard
Best of 2017, horror, Movies, Reviews, thriller

Jordan Peele’s Get Out explores the uncanny landscape of racial tension

Coming to UK screens off the back of huge box office success in the US, low budget horror film Get Out is destined to be one of the most talked about films of the year. Review follows… Continue reading

Standard
Genre dreck, horror, Movies, Reviews

If you go down to the woods today, you’re in for no real surprises – Blair Witch review

I’ve only seen 1999’s The Blair Witch Project once, on release in a multiplex in Plymouth with an audience who clearly thought it was rubbish. Normally I’d find this distracting, but despite the evident disdain of my fellow audience members I found the film to be one of the most unpleasant viewing experiences I’d had since seeing Watership Down. I had the last minute of the film in my head for weeks and I wanted it out of there.

In other words, it was a great horror film. Can the new sequel live up to it?

I guess I’ve given that away in the title of this review haven’t I? Still read on please lovely audience. Continue reading

Standard
directors, horror, Movies, Reviews, SAVAGE CINEMA!

Steak tartar for horror fans – Baskin appeals to refined palates

Turkish horror film Baskin would make an interesting double bill with Nicolas Winding Refn’s The Neon Demon. In a Venn diagram of influences both share common ground especially in Italian horror (Fulci, Bava, Argento) but the resulting films could not be more different in style. Continue reading

Standard
horror, Movies, Reviews, scraping the barrel

Scraping the Barrel – Wrong Turn 3: Left for Dead

Why here? Why now? Why… a review of Wrong Turn 3?

Fair enough question. I was feeling nostalgic and this was the first review I had published in phase 2 of my ‘career’ as a critic (following the Gonzo Fanzine years of the early nineties which I am assured did happen even though I can’t remember them). So thanks to Ian Rattray of London’s FrightFest horror film festival for taking the chance on me all those years ago. 2010 was it? I can’t remember. Anyway, this set the tone for many reviews to come, horrible genre dreck no-one in their right mind would watch on purpose (aka 90% of Netflix). Continue reading

Standard