Best of 2017, directors, exploitation, horror, Movies, Reviews, SAVAGE CINEMA!

DARKNESS ON THE EDGE OF TOWN – HORROR HOUNDS PROWLING THE MARGINS

This started as a review of Hounds of Love, and has mutated into a meditation on genre. It’s a bit rambling, and once again I wish I could afford to pay someone to edit this stuff, but I hope those of you interested in horror and the fringes of the genre find something of interest in it. Continue reading

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british film, directors, London Film Festival, Movies, Reviews

All alone in bedsit land – Gareth Tunley’s The Ghoul reviewed

Full disclosure, I’ve known The Ghoul’s writer/director Gareth Tunley since the mid-nineties, even shared a flat together in Walthamstow. So approaching his feature debut dispassionately is not really happening.

I first saw the film a year ago before its successful festival run (The Ghoul played the London Film Festival and Mayhem in Nottingham among others), and the first thing that hit me was an overwhelming wave of relief that I didn’t have to look shifty and tell Big Daddy G ‘the cinematography is nice’ before suddenly remembering I had a bus to catch.

I had intended not to write the film up, figuring it as a conflict of interest (like the big I am that I am) and as others have done a sterling job of doing so (including such genre critics as Anton Bitel and Kim Newman in Empire Magazine.

But as The Ghoul is about to be released on the 4th August in the UK by Arrow Releasing on a limited theatrical run with a DVD and Blu Ray release following on 4th September, and as this is my blog and I’m beholden to nobody… fuck it, here’s a review of Gareth Tunley’s The Ghoul. Continue reading

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exploitation, horror, Movies, Reviews

Exhuming The Entity

Screened as part of the Cinema Rediscovered festival in Bristol, Sidney J. Furie’s 1982 supernatural horror film The Entity is ripe for reappraisal (and it is now available on Blu Ray in the UK). This rare big screen outing for a film that has languished in relative obscurity since its original release was presented by The Final Girls (@thefinalgirlsuk) Anna Bogutskaya and Olivia Howe. They first apologised for what they were about to put the audience through, but looked forward to hearing post film reactions. Frankly, I was a little too stunned by the movie to offer any in the immediate aftermath. Hopefully the following review makes up for that.

Be warned, spoilers do follow… Continue reading

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Classics, Favourite films, Film festivals, Movies, Reviews, Writers

Television, the drug of the nation: tuning back into Network

Part of the Cinema Rediscovered Festival at Bristol’s Watershed cinema, it was a pleasure to see Sidney Lumet’s 1976 film Network on the big screen for the first time. If you haven’t seen the film some mild spoilers follow… Continue reading

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directors, horror, Movies, new releases, Reviews

Post-It [Comes At Night] Notes

Claustrophobic horror thriller It Comes At Night is the latest film to land in an ongoing culture war (actually more of a skirmish between factions) for the soul of the genre, between films considered mainstream and art-house. I feel I have to write something about this about once a year. The last time being when Bret Easton Ellis went on a diatribe against ‘art horror’ coinciding with the UK release of Austrian horror movie Goodnight Mommy, you can read that here.

Such think pieces and debates are frustrating to me, as the often obscure the qualities of the film at hand. So is to worth spending your hard earned case on seeing It Comes At Night at the movies, or should you just wait for VOD or streaming?

Find out after the jump… Continue reading

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Best of 2017, crime, directors, Movies, Musicals, Reviews, thriller

Edgar Wright’s Baby Driver is pedal-to-the-metal, high velocity entertainment

Fresh from viewing just this morning – so excuse the typos I know are going to be in there – here is my review of Edgar Wright’s glorious new thriller Baby Driver. Strap in. Continue reading

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