exploitation, horror, Movies, Reviews

Goodnight Mommy and the rise of ‘Indie Arthouse Horror’

American novelist and screenwriter Bret Easton Ellis on his popular and provocative podcast has recently decried the rise of what he calls ‘Indie Arthouse horror’. Among the films that form the vanguard of what Ellis wants to see as some kind of new wave (although in a pejorative sense) is the 2014 Austrian film Goodnight Mommy (original title Ich seh, Ich seh).  Continue reading